http://talk.trekweb.com/articles/2001/06/28/993756013.html As the title says, is this latest evidence an elaborate hoas or indeed the the first "ultrasound" of the new baby?
The truth is out there....
Scully: "No way this is legit, Mulder... it's got 'Star Trek Enterprise' on it, which everyone know's isn't the show's real title."
Mulder: "Not so quick... it's certainly been hinted at that the final decision on the title didn't come until fairly recently. Who's to say the production staff weren't using 'Star Trek: Enterprise' as a working title in the beginning?"
Scully: "But the font isn't even right..."
Mulder: "So? Deep Space Nine and Voyager used the TNG font on all their internal documentation for some time before their final logos were drawn up. You need to read more 'Making of...' books, Scully.."
Scully: "You're not looking at the facts, Mulder..."
Mulder: "No, Scully, I am. We heard months ago that a view of the ship would appear on a blue patch that would appear on the uniforms... the logo on the back is a clear fit."
Scully: "But it's almost too reliant on just this rumour and the Akira one to be correct. Eaves is no dummy... why rip off Jaeger's work, essentially?"
Mulder: "Well, it could be quite different looking from the side. Or an early draft design that has since evolved further away from the Akira look."
Scully: "True enough. But that's doesn't alleviate any suspicion. Anybody could recreate such a piece of paper quite easily... the ship design information from the Eaves interview, the blue patch idea from the uniform rumour... put it together in illustrator, print it out on your Desktjet, stick it on the side of a trailer somewhere and smile."
Mulder: "Now you're on about the conspiracy theories."
Scully: "Paramount set security policies towards cameras are very strict. It's simply more reasonable to accept a fake than a real image."
Mulder: "But if this guy's from England, where's he going to find palm trees? The shadow of a palm tree is pretty clear."
Scully: "Annnnnd there are apparently reports that there are no palm trees on the Paramount lot proper."
Mulder pauses, exasperated.
Scully: "Need I point out to you that the effects work for shows like this is usually done in offices off the lot... across the city in most cases."
Mulder: "Scully, what do you know about film and television production, anyway?"
Scully: "Well, there've been cameras following us around for some time now. I've picked up a few things."
Mulder: "...like, perhaps, the different between Special Effects and VisualEffects? In the actual technical context of the show, Special effects are pyrotechnics and other live on-set things like that. And the departments are usually housed at the sets."
Scully: "Inside, you mean. Not in nearby trailers."
Mulder: "With the amount of gutting and renovating going on at the Trek sets these days, having them relocate outside seems only logical."
Scully: "Logical, yes. Realistic, no."
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"I was surprised by the matter-of-factness of Kafka's narration, and the subtle humor present as a result." (Sizer 2005)